This Drifting Poo Was Far Too Symbolic! It's the Television Disappointments of the Past Year.
As we reflect on the TV offerings of the recent year, a selection of series emerge not for their excellence, but for their notable failures. Ranging from awkward spin-offs to confusingly bad docuseries, here are the programmes that had us scratching our heads or just reaching for the remote.
And Just Like That
How to start with this divisive follow-up? Burdened with woeful writing, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the show struggled to justify its existence. Briefly, as the third season started, it seemed as if it had finally found its groove. Then came an episode all about Seema’s natural deodorant. No wonder the showrunner declared this would be the last season. It concluded on a bum note; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Still, fans certainly found joy dissecting every single “wtf?” episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't release a little sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? The answer is a resounding no.’
But that was practically the smallest of this show's issues. The recipient of a very rare no-star assessment, it was difficult to know where to start listing the problems. The laughably leaden dialogue? The mind-numbing veneration of affluence and consumption? The almost deliberate procession of tropes? Performances so poor they felt almost malicious? Suffice it to say “all of the above” and forget about this show again. Except, a second season has been ordered, so we’re probably going to have to.
The Charlie Sheen Documentary
Considering the legal troubles, domestic violence allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this multi-part documentary which smirked its way at Sheen’s various bouts of reckless excess while failing to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any sympathy this show might evoke should be reserved for the people who have had to endure proximity with this charming but dismissive narcissist.
The Supercomputer Drama
Of course we understood it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.
The Gangster Drama
Shady characters meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.
In truth, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the embarrassment of having to accommodate baffling dialects. But there were many other problems. Primarily that it was just really dull; a conflict over drug-selling territory between various London picaresques which seemed rather simplistic.
The Meghan Markle Series
Considering the extent to which she grinds the gears of the nation’s performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised forays into quaint homemaking as deliberate statements. But then you watch them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue animated; a poster for evening drinks with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “tips” you’ll forget instantly. All supported by vast, mostly undeserved wealth. Ugh.
The Beckham Documentary
There are clearly interesting things to be said about both Victoria Beckham and her journey with vocation, self-image, self-worth. But for some reason, this three-part series chose not to explore them. Instead, the viewing was akin to consuming a sales catalogue. She obviously has every right to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this cagey non-event of a series.
The Game Show
It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a production that was straining desperately to live up to something far greater than it.
Too Much
How does one follow a show that defined a generation? The expectation was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of celebrity friends involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘patchy’.
Given the smart recruitment of talented emerging comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled sensitively. Rather, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Absolutely.
Prime Target
We admire the star … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the verge of a discovery that could ruin society? Nope! This international thriller about government agencies spying on – and eliminating – intellectuals honestly got more farcical by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This uncritical portrait followed the online personality notorious for explicit escapades as she prepared for her most extreme challenge yet. What on earth would possess her? What we wanted was far greater examination of her actual psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to drag her son out of the queue. What we got was horrific shots and absolutely no critical analysis of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.